Date of Award

5-2024

Degree Type

Thesis

Degree Name

Master of Music

Department

School of Music

First Advisor

Benjamin Morris

Second Advisor

Stephen Lias

Third Advisor

Andrea Denis

Fourth Advisor

Derek Johnson

Abstract

As composers gain access to better tools, digital mockups have increasingly grown in popularity. Composers often aim to emulate an idealized orchestral sound in their mockups. By understanding the nature of acoustic orchestration and instrumentation, specific techniques and approaches for virtual instruments and sample libraries, and methods to process and manipulate MIDI audio, composers can achieve this idealized sound. This thesis will focus on the common techniques and methods that composers can use to achieve this in digital mockups. Concluding the thesis is an original work that combines digital and live instruments while exploring different techniques to achieve an ideal sound.

Creative Commons License

Creative Commons License
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License.

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