Defining Recomposition Through the Works of Gregson, Richter, and Peck: Creating a Dialogue with Vivaldi and Bach to Compose New Music.

Author

Amanda PeckFollow

Date of Award

5-2024

Degree Type

Thesis

Degree Name

Master of Music

Department

School of Music

First Advisor

Dr. Stephen Lias

Second Advisor

Dr. Samantha Inman

Third Advisor

Dr. Cassandra Hayes

Fourth Advisor

Dr. Jennifer Dalmas

Abstract

Recomposition has been a commonly utilized compositional method for hundreds of years, yet there is no universally accepted definition in the musical community. The existing literature on the subject is limited, so this project will examine various sources to define this term more accurately. This research analyzes successful recompositions for string ensemble, Peter Gregson’s Bach - The Cello Suites Recomposed (2018) and Recomposed by Max Richter: Vivaldi - The Four Seasons Recomposed (2012), and my two new compositions, Air on the G String Recomposed and Vivaldi Cello Sonata No. 3 in A Minor Recomposed. My compositions incorporate the recompositional methods of Gregson and Richter while maintaining my artistic identity. This project bridges the existing research gap in the field of recomposition and motivates other composers to further explore and produce recompositions.

Repository Citation

Peck, Amanda, "Defining Recomposition Through the Works of Gregson, Richter, and Peck: Creating a Dialogue with Vivaldi and Bach to Compose New Music." (2024). Electronic Theses and Dissertations. 570.
https://scholarworks.sfasu.edu/etds/570

Creative Commons License

This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License.