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Submissions from 2019

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Groupthink in the Cave: A New Perspective on The Matrix, Kelly Salsbery and Anne Collins Smith

Submissions from 2017

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Welcome to Hogwarts: Entering the Story through Wizard Rock, Anne Collins Smith

Submissions from 2016

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Inhibition of Enterobacter cloacae and Klebsiella oxytoca by Garlic (Allium sativum L.) and Garlic Pills, Lucinda Choules, Dennis A. Gravatt, Stephen M. Kosovich, Wei Yuan, Ping Wang, and Ron Havner

Submissions from 2015

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Applications in the Classroom: The Potential of Scholarly Studies in Harry Potter in Higher Education, Anne Collins Smith

Submissions from 2014

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A Prison for Others—A Burden to One's Self, Anne Collins Smith and Owen M. Smith

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Taking sides: Clashing views on moral issues, 14th edition, Anne Collins Smith and Owen M. Smith

Submissions from 2012

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Voldemort Tyrannos: Plato’s Tyrant in the Republic and the Wizarding World, Anne Collins Smith and Owen M. Smith

Submissions from 2011

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Harry Potter, Radical Feminism, and the Power of Love, Anne Collins Smith

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Pragmatism and Meaning: Assessing the Message of Star Trek: The Original Series, Anne Collins Smith and Owen M. Smith

Submissions from 2010

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Memories Cloaked in Magic: Memory and Identity in Tin Man, Anne Collins Smith

Submissions from 2009

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Playing [with] multiple roles: Readers, authors, and characters in "Who Is Blaise Zabini?", Anne Collins Smith

Submissions from 2000

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The Exploration of Gender in Deep Space and Sacred Time, Anne Collins Smith

Submissions from 1998

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Smith on Hanley, 'The Metaphysics of Star Trek, Anne Collins Smith

Submissions from 1997

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Review of Enterprise Zones: Critical Positions on Star Trek, Anne Collins Smith

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Smith on Bacon-Smith, 'Enterprising Women: TelevisionFandom and the Creation of Popular Myth, Anne Collins Smith

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Smith on Jenkins, 'Textual Poachers: Television Fans and Participatory Culture', Anne Collins Smith

Submissions from 1996

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Smith on Krauss, 'The Physics of Star Trek', Anne Collins Smith

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Smith on Telotte, 'Replications: A Robotic History of the Science Fiction Film', Anne Collins Smith