Date of Award

4-2026

Degree Type

Thesis

Degree Name

Master of Music

Department

School of Music

First Advisor

Dr. Benjamin Morris

Second Advisor

Mr. James Adams

Third Advisor

Dr. Alexander Amato

Fourth Advisor

Dr. Nathaniel Walker

Abstract

Architecture has long served as a source of inspiration for Western art music composers from the Early Renaissance through the Neoclassical period. While the relationship between music and architecture has been widely studied, much of the existing research focuses on traditional mediums such as the symphony orchestra. This project explores the concept of music as “frozen architecture” – introduced by Friedrich Schelling – and the metaphorical correlations as described by Vitruvius and Lupishko, applying these concepts to the contemporary medium of the wind ensemble through my original composition. My work integrates the architectural principles proposed by Vitruvius and Lupishko while maintaining my own creative voice. The analysis of this original composition will include examinations of texture, harmonic progressions, rhythmic motives, and modes. By doing so, this project aims to bridge a gap in current scholarship by extending the concept that “architecture is frozen music” to include modern ensemble practices.

Creative Commons License

Creative Commons License
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License.

Turner - Rotunda (3 movements).mp3 (12738 kB)
Rotunda is a three-movement work for wind ensemble—Doric, Ionic, and Corinthian—modeled after Vitruvian architectural orders. Each movement functions as a conceptual framework, with increased harmonic and textural complexity as the piece continues. The architecture-to-music analogy is expressed using harmonic language: Diatonic, Chromatic, and Enharmonic, which translate structural and decorative elements of a rotunda into musical form.

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